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Minggu, 19 Juni 2011

vote for panda


when i married pos, he came with a few things neatly built in: a house. a car. an insurance agent whom he and other members of his family had used for years. so adult! i was a bus-riding renter who had filled out an online form to cover my apartment's contents in case carol, the elderly hoarder next door, fell asleep (or died) and a candle she had forgotten about burned all of her newspapers saved since the mid-80s and gutted our building.

i didn't realize that "i have an insurance agent" could mean "i will now receive totally ridiculous and insanely unprofessional emails from this person."

the first email was to announce her sister's dog's participation in some online beauty contest or some shit like that (i didn't really read very closely). i saw "hello to my family and friends" and assumed that she accidentally CC'd me. i mean, seriously, i've never met her; all i know is that she did FUCK ALL for us when our basement flooded with sewer water this summer after the city's infrastructure basically crumbled after a flash flood. that was an increadibly pleasant experience and i certainly don't resent my ruined basement, lost youth (goodbye to my CD collection and years' worth of writings, mementos, and irreplaceable items), or the fact that i was five months pregnant and surrounded by city of chicago fecal matter and gallons and gallons of bleach. interesting that FEMA came to our door, looked at the damage and wrote us a check; THANKS SO MUCH, INSURANCE LADY, FOR YOUR ZERO ASSISTANCE. i mean, what's insurance for, anyway, if not for us to pay hundreds of dollars a year and then be turned away when we actually need help, due to fine-print exemptions?

Hello to My Family & Friends:

We have entered Panda, my sister Rosalie's long coat Chihuahua, into the BISSELL'S MVP Photo Contest. Because of Panda's unique coloring/markings, we felt he had a good chance to win. With your help, if Panda wins, we would love to donate the first prize money, $10,000, to the Hinsdale Humane Society. Additionally, Panda would be featured on the Bissell Pet Vac advertisement.

Panda is Charles brother. Charles is my Long Coat Chihuahua that is a volunteer at the Hinsdale Humane Society. He is on the Pet a Pet program where he visits the assisted living facilities bringing joy to many of the elderly residents. 
See their picture together attached.
If I have sent this email, please know I consider you family or a close friend. It is not often I do something like this, however, it is for a good cause. The Hinsdale Humane Society would benefit greatly to be the recipient of this prize. 

So, 
PLEASE VOTE DAILY for PANDA. Just in case you forget, I will send you a reminder each day to Vote till the contest ends. If you wish not to participate, please reply to this email and write UNSUBSCRIBE ME in the Subject line.

i guess i could have unsubscribed, but i hadn't read that far. i obviously was not voting daily for panda.

the second email arrived the next day and said:

Reminder, please vote for today if you have not voted yet.
Thank you.

i deleted it, annoyed. the third arrived five days later. it was in giant, bold letters:

Last Day to VOTE for Panda., in this session Lets come in strong to get him into the finals.
Grand Prize will be donated to the Hinsdale Humane Society. Thank you to all my wonderful family and friends for voting.

the only reason i am sharing this is the fourth email, which just did it for me with its ridiculousness. there are so many unintentionally hilarious things about this email. also, how does she know that i didn't vote? and i kind of doubt that it's "ok too."

she's pissed about BLIND CATS. so fucking awesome.

Sorry to say, Panda did not place.
Sessions 1, 2, 3, and now 4 Blind Cats have won...Panda is not only the wrong species, he's not blind. Therefore, I choose not to enter him into the remaining sessions 5-12.
Blind Cats have a much bigger following than a cute little Chihuahua named Panda could have. However, I want to thank all my loyal friends and family who took the time every day to vote, I appreciate it from the bottom of my heart.
Each and everyone of you know I would drop everything to help you, so your taking the time to help me for a good cause speaks volumes to me. I know who you are, and I really love you for being so wonderful....and those who didn't vote, I know who you are, and that is ok too.

MONDAY, JANUARY 31, 2011

concerted effort: j

i last posted on october 26 - a little over three months ago. my entire life has changed in those three months, and for the better. babyfriend arrived on november 19. she's a girl (! - despite my firm belief all throughout my pregnancy that she was a he, despite the ongoing morning sickness, the acne, how i carried high, my constant craving of sweets, and all of the other old-wives-tale signs that it was a girl) - a beautiful, funny, strong, smiley, sweet, and chill baby girl we named naomi siobhan. i have been off work, sequestered in the house (in the dead of winter - not that i mind at all), feeding and changing and holding and playing with this little person who i have absolutely no idea what i did to deserve. so, yeah, i've been a bit preoccupied.

bands: 
j. tillman to justin vernon

worst band name: 
jimmy eat world. i like them, despite their terrible name

number of songs by the j artists:
at start: 766
at end: 684

dates:

7/21/10 - 9/2/10 (that seems forever ago!)

highlights/surprises: 
band with the most tracks before deleting anything: jeff buckley (91) and johnny cash (83)

deleted:

well, you know, lots of random crap that i hadn't even heard of before and decided was entirely inessential in my life. also, a bunch of random jeff buckley live tracks. you know, i adore him. he was beautiful, his voice was beautiful, i have beautiful memories of listening to his beautiful album grace during beautiful times in my life. his death was tragic. it is also tragic to release every inch of tape that happens to have his voice on it. diminishes the beauty.

james blunt. it was a goal of mine when this project started was to listen to back to bedlam, decide if it is any good, and, if it isn't, which i knew it isn't, delete. so i did listen. and it is bad. he has a creepy little china doll face when he sings with his bizarre voice. i first heard "you're beautiful" at a record store in galway, ireland, and thought that it was a woman singing. i can't imagine any additional releases of his selling at all. we shall see.

lessons learned/randoms:

i don't know a lot about the jam - or even when i discovered them - but i have had their greatest hits cd for at least ten years and good god do i love "beat surrender" and "town called malice."

i actually really love jamie o'neal's "all by myself" - i happened to have gotten it from cd's valentines day mix in 2003, which he entitled "i was drunk and it was dark and you were there."

"canned heat" by jamiroqui - shit yes. napolean dy-no-mite besides, that song is rad.

jane's addiction's nothings shocking and ritual de lo habitual are amazing. perry's onstage banter during lolla in 2009 was so lame that it made me sad, and i have disappointment towards that bullshitmarried to rock "reality" show he and his missus participated in.

rabbit fur coat by jenny lewis and the watson twins is outstanding. i didn't like acid tongue quite as much, and jenny and johnny is okay but not all that memorable.

i don't know how i obtained it, but there's a song called "love ain't just a four letter word" by jenny wilson that's totally bizarre and awesome. ditto "intelligentactile 101" by jesca hoop.

"head on" by the jesus and mary chain is perfect.

i didn't really know who joan armatrading was when a friend asked me to go see her at wolf trap outside of dc in 2000 and i just fell in love with her voice. "down to zero" and "love and affection" are two of my all-time favorites.

"take me home, country roads" by john denver was a karaoke favorite when we went to west virginny to go tubing/skiing/drinking in 2003.

johnny cash is much loved in my house. pos' dad was a huge fan, so he grew up listening to and admiring his social justice power-to-the-working-man no-bullshit music. johnny and i have the same birthday (um, different year). ecf and i were talking about what to name the babyfriend, and he let me know that there is a syracuse football player named Prince-Tyson Gulley - most likely because his parents loved prince and mike tyson. therefore we decided to name my child cash-coyne: for johnny, for wayne, and because it is ghetto fabulous.

i love joni mitchell. love.

"angel of the morning" and "queen of hearts" were my favorites when i was little - like six or seven. juice newton (i loved her name) played the rock county 4H fair one summer and i was pissed - like, PISSED - that no adults wanted to take me. just a kid and already totally suffering from FOMO (that would be "fear of missing out").

who is this just jack character? when i hear that, it reminds me of thewill and grace minstrel show character jack. i think the just jack band/guy is a brit and awesome.

there. proud of self. will get to the Ks in due time - i'm not done with them yet despite starting them in september but i've been, you know, busy. i was listening to the killers while i was in labor - and i'm not even all that big of a fan. just dedicated to the cause, friends.

TUESDAY, OCTOBER 26, 2010

concerted effort: i

so, you (and there is only one of you, methinks) may have noticed that i have not been blogging. i have my reasons; for example, i am going to give birf in a month. i have been preoccupied. i will do these as i can - i'm up to the Ks right now, so i need to go back and blog the Js as well.

i'm driving to work now, so my hours of walking and el riding and listening to the ipod has turned into a happy ride with NPR. i don't feel the slightest bit guilty that i am now driving - i took public transit for 10 years and do not miss the waiting, the crowds, the germs, the ignorant assholes who let pregnant women stand while they "don't notice." i haven't been reading or listening to music the way that the train used to force me to, though. 

bands: 

from i'm from barcelona to ivana xl

worst band name: 
i'm from barcelona? i am kloot? i monster? take your pick. although i love you but i've chosen darkness, while not succinct, is a GREAT band name.

number of songs by the i artists:

at start: 223
at end: 187

dates:

6/21/10-7/6/10

highlights/surprises: 

band with the most tracks before deleting anything: indigo girls (71)

deleted:

india.arie's second album, "voyage to india." i kept her first album, as it was earnest but cool singer-songwriter guitar-driven acoustic jammy stuff, but then i got bored.

lessons learned/randoms:

omg the indigo girls are fucking boring. eb has a great story about how her walkman was stolen out of her locker when she was in high school, but the thief had taken her indigo girls tape out and left it - that is hysterical. i have so many indigo girls albums because my good friend in high school was obsessed with them and would give me one of their cds for every holiday and birthday so that i could also understand the importance of this band to her. in retrospect, maybe she was trying to tell me something.

i only have four iggy pop songs, but they all feel really iconic and are awesome.

my parents' first date was to see ike and tina turner, which is hysterical, because my parents are and were SUPER SQUARE. my favorite is "river deep, mountain high." it's too bad that ike is even mentioned on these songs - tina is the badass and the talent.

interpol is a band i never think about but enjoy when they are playing.

INXS. hearts.

the isley brother's "summer breeze" makes me think of drinking malibu run with cranberry juice and eating half-price burgers and chainsmoking at the toledo lounge in 2003, when my favorite bartender would play this on the jukebox and slip me free drinks. this song even reminds me of how the bar smelled - water damage and stale smoke. sigh. good times.

SUNDAY, JULY 04, 2010

concerted effort: h


bands: 
from haale to howe gelb (who and who?)

worst band name: 
hootie and the blowfish, of course. legendarily bad. if i had a hoobastank song or two, that would win, but alas, no.

number of songs by the H artists:
at start: 291
at end: 222

dates:

6/2/10 - 6/21/10

highlights/surprises:
band with the most tracks before deleting anything: hole (53) and hanson (46). they really don't have a lot in common.

i downloaded harvey danger's little by little when they posted it for free online when it first came out in 2005 and you know, i really really like it. "little round mirrors" is a fantastic song, and the entire album is smart, fun and good. you can still get it here.

i love horace andy's "feel good all over." i first heard it at my friend's apartment in brooklyn on a steamy summer day and i got all excited because it sounds like an elderly woman who has nothing to be happy about but is anyway. spoiler: horace is a raggae dude who was in his 20s when it was recorded.

my love for hanson has been documented before. i will just say that i had a drunken conversation with pos' cousin's girlfriends after a black keys show and we were talking music and she is a total hipster and we started naming guilty pleasures and i mentioned hanson and she got really intense and was like "DON'T EVER APOLOGIZE FOR LIKING HANSON." turns out she is a total superfan. so, yes, hanson still has a fan base, hidden amongst those you wouldn't ever suspect.

deleted:

to the chagrin of many of my friends, i really don't like the hold steady. that guy's voice is totally annoying. the guitarist is from my hometown. i have tried to listen and enjoy and just can't.

a hot snakes album. i saw them in dc. that's all i remember. the album is pretty forgettable as well.

the particulary bad hootie songs. yes, i kept some.

lessons learned/randoms:


i was at my eye doctor's last week and they were playing one of those really bad top-40 radio stations, and hootie and the blowfish's "hold my hand" came on in between some katy perry monstrosity and no doubt's "hella good." that single came out in 1994, yo, SIXTEEN YEARS AGO, and it's still getting played on top-40 radio, and it still fits in. their debut album (the only one i own) went platinum SIXTEEN TIMES. so hootie and the blowfish are not revered artists, and their subsequent albums went nowhere, but me and 15,999,999 other people liked them enough at one time to pay for the cd. listening to this for the first time in forever, it's not that bad. it's cargo-shorts college-town jangly pop with acoustic guitars, so this band paved the way for the dave matthews band's popularity, along with a handful of non-threatening southern dudes with earnest love songs (edwin mccain, sister hazel, fastball, other bands you haven't heard from since the 90s). i actually think it's pretty awesome that darius rucker ("hootie" as he will forever be thought of) became a country star and has had three #1 country hits, especially considering a black dude hadn't been at the top of the country charts in 25 years.

hot IQs is a fun denver band who i got to see open for someone once (and i got a cute little button that looks like a calculator with HOT IQS in the "screen" area, like where you could type 55378008 and turn it upside down and it would say "BOOBLESS" to the delight of other 5th graders, and i made it into a magnet that resides on my fridge). anyway, look for "retromuff," which is my favorite.

eb put hip hop hoodio's "dicks and noses" on a mix cd for me a few years ago and its super juvenile but i love it. they're a latino jewish rap group (yes) and some of their lyrics include "you like our dicks and you like our noses/you see a jewish guy and you forget where your clothes is."

heartless bastards' female lead singer sounds . . . how shall i put this . . . a little, err, "touched"? she has a great gravelly voice, don't get me wrong, but there is this odd twinge of daniel johnston mentally deranged that i detect layered in there.

hole. the irritating thing about courtney love is that live through thisis completely amazing (many people believe it's because kurt wrote most of the music) and celebrity skin, while irritating in that grating starfucker hollywood namedrop mode that courtney wants you to be envious of, it is also a really solid album. i fucking LOVED that band in high school. and now . . . and now. the wrong one died.

i said to pos near the end of this installment, "i should be done with the Hs tomorrow," and he replied, "the real question is, when do you get your life back?" i laughed so hard i teared up.

i'm running a little behind - i'm almost done with the i's already. the j's are gonna take forever.

WEDNESDAY, JUNE 02, 2010

concerted effort: g

bands: 
from gang of four to gypsy and the cat

worst band name:
get him eat him (both songs were deleted)
(also: Gorky's Zygotic Mynci, howeverthefuck that's pronounced - apparently they broke up in 2006)

i didn't do this category for the previous letters. i should go back and do so.

number of songs by the G artists:

at start: 570
at end: 375

dates:

4/23/10-6/1/10

highlights/surprises: 

band with the most tracks before deleting anything: green day (53) followed by guns n roses (50)

deleted:


a live girl talk set. i often have an aversion to live albums, especially if they aren't off of the mixing board, and a live dj set from a guy who just presses play on his laptop kind of defeats the purpose, right? pos and i saw the girl talk set at lollapalooza last year or the year before. fucking asshole kids with their asshole fashion and asshole dancing. i had never been surrounded by a more annoying group of assholes in my life. proof that i am approaching too old.

this may be unpopular to admit to my hipster friends, but most of guided by voices. i don't get it. sorry. also gone: all of grandaddy. couldn't force myself to care.

more than half of gwen stefani's vapid, retarded solo album.

i tried to delete a godsmack song and pos removed it from the "maybedelete" playlist. foiled again!

lessons learned/randoms:


and i thought that eminem had a persecution complex - em has nothing on w. axl rose (or, you know, bill bailey). supermodel-beatinghomophobic racist sexist piece of shit (although he claims that songs like "one in a million" are just, like, misunderstood, and he loves elton john. wait . . . so does eminem). i'm not gonna lie. i like some guns n roses songs. i kept a few. the singles mostly, and the ones that i somehow know by heart, because as a kid in rural wisconsin, you don't listen to "get in the ring" and think "what an angry, petty little man," you think "hahaha, he just said some nasty shit. this album rules." also, i can't listen to "welcome to the jungle" without thinking of jim carrey (in a daring dramatic role) poorly lip syncing in the dirty harry movie the dead pool (and the members of gnr attending his funeral). omg i just watched the jim carrey scenes for the first time in like 20 years - liam neeson! what are YOU doing there? also, i am pregnant (yes, for real, eeeeeks) and even though i am only 15 weeks along and there is no way that babyfriend can hear, much less understand, i don't like listening to piss and vinegar. bad mojo.

greg laswell covering kristin hersh's "your ghost" is beautiful. i love that song. both versions. michael stipe is on kristin's.

sigh . . . i really dislike genesis. pos really likes them. they stay. unfortunately. that's what i get for marrying a prog rock fan who was 15 in 1985.

i love george michael. he's a literal hot mess and really needs to stop getting fucked up (and fucked) in public, but he is awesome. even if the lyrics to "father figure" makes me throw up in my mouth. i like how he spent the 80s and 90s projecting a complete "i only fuck supermodels" vibe, just to come out later and be like "oh, by the way, i'm totally fucking gay, so, yeah, anyway . . ."

ghostland observatory are this random electroclash band that i thoroughly enjoy. surprisingly, they are from austin.

i only have three goldfrapp songs and i like. might look into more.

big hearts for gorillaz. i overpaid to see them in dc a few years ago, but it was still mad fun. cartoon band better than fat albert's.

listening to green day's dookie made me feel 17 years old. i actually really like american idiot, even though i hadn't listened to it all the way through until now. not quite sure how well it translates tobroadway, but still a fun powerpoppunk record.

on to the H's.

MONDAY, APRIL 26, 2010

concerted effort: f


bands: 
from fabienne delsol to fyfe dangerfield

number of songs by the f artists:

at start: 454
at end: 367

dates:

3/31/10-4/23/10


highlights/surprises: 

band with the most tracks: flaming lips (120)

faith no more's angel dust is one of the best hard rock albums evah. "be aggressive" and "everything's ruined" fucking KILL.

even though i like feist, she can get pretty effing boring.

i love fiona apple. always have, always will. when the pawn (i am not going to type the whole name out) is an excellent album and one of my staples.

i really like florence + the machine's lungs. i was really disappointed with their show at the house of blues last month. their cover of robert palmer's "addicted to love" is awesome - pick it up from one of theseposts.

i don't speak french but for some reason i always end up with random french pop songs in my itunes (perhaps i have plastic bertrand's "ca plane por moi" to blame - me and ps, driving in a shitty borrowed car in dc ten years ago on our way to shows, this song on an old mix tape turned up loud). i dig the france gall and francois hardy i somehow acquired.

fujiya & miyagi - love them. awesome electobritpoprobotrock. i saw them open for peter bjorn & john with cd and zp a few years ago at the 9:30 club and i thought that f&m were way better than pb&j. i love "collarbone," and the hood internet's mash-up "the new collarbone" is with dr dre and snoop and i fucking love it. get it here.

the face's "ohh la la" - never get tired of that one. and i like that it's ronnie wood and not barfy old rod stewart singing. not that ronnie wood isn't gross. he is. not as sick as bill wyman, though, of course.

deleted:


the futureheads debut and franz ferdinand's second album - i've seen both of them before, and was pretty meh about them, and their albums are pretty meh for me as well (although i am keeping the first franz album because i bought it when i was on vacay in rehoboth with mob and cd and i am nostalgic like that).

the foo fighters album there is nothing left to lose - except your dignity, i suppose. that's harsher than it needs to be. they're fine. i just want the first two albums and have little use for the rest of them - although "one by one" is a great song. i really like the foo's first album - it's so quiet and not-nirvana (or later dave grohl projects like them crooked vultures or queens of the stone age) that i was really taken with it when i was in high school, and "walking after you" on their second album is super-perfect creepy-stalker lovely. then they seemed to lose the plot - perhaps around the time that grohl donned a fat suit for their lame "learning to fly" song's heavy-rotation-on-mtv-designed video. but maybe that's just his power pop group and he has his other projects to make different types of rock with. while i know better than to care about musician's personal lives, i have to believe that he seriously fucked over louise post, if veruca salts' resolver is any indication. the fact that he is co-owner of the black cat in dc makes me completely appreciate him. 
a bunch of frente! songs that i found on music blogs. i had a moment where i remembered liking them a lot in high school, so i downloaded a bunch and now they are making their way right back out of my library. not a good name for a band. not a good band.

i was torn about deleting the frank zappa song "ride my face to chicago," because it is a song about chicago, but then i just went ahead, because it is a song about riding frank zappa's face.

lessons learned/randoms:


so you know how some couples have a pact where each person gets to choose the one person who they are allowed to sleep with if the opportunity ever arises, and the other person can't get mad? this usually works best when the person is a celebrity or world figure and not, like, your neighbor. early on in our relationship, as a joke, we decided that pos' is eva green, and mine is wayne coyne. yes, i could have picked anyone in the world, and i picked wayne. first of all, i think he is soooo cute. i love his graying curls and beard - in fact, when pos' hair curls in a certain way around his face i get all excited and say "wayne coyne hair!!!" secondly, he is a creative genius, and i love his raspy voice. so this past halloween, i was in new orleans for work, and i heard a rumor that the flaming lips were staying at my hotel (which i believed, as it was the voodoo music fest weekend, i was at the w, and i had spent the previous night drinking with kiss in the lobby bar. and when i say "drinking with" i mean that we were in the same room drinking at the same time). i texted pos with this information, excited that i might run into wayne. he texted back something like "i know that he's your one, but please don't sleep with him." which i thought was soooo cute and charming. i think pos wasn't taking in consideration the other half of the equation - your one has to want to sleep with you, too. i personally think that wayne is too classy to fuck some random star-struck girl who is staying at the same hotel - maybe that's why i chose him in the first place. as for ms green, my husband is a very attractive man, but he doesn't spend much time in france, so . . .

anyway, have i mentioned that the flaming lips is probably my favorite band? my brother had me listen to the soft bulletin on a discman while driving home from my grandma's house on christmas night 2000, and my jaw literally dropped. i used to buy that cd for everyone for every occasion, i just wanted everyone to have it and love it the way i do. "what is the light?" is one of the greatest love songs of all time. i make sure to always try to go see the lips when they are in chicago, which is almost every year, and i always feel like i am at the best birthday party that was ever thrown for me. i even carry around a piece of orange confetti in my wallet from last december's show at the allstate arena - they just make me so goddamn happy!

TUESDAY, MARCH 30, 2010

concerted effort: e


bands: 
from eagle seagull to extreme

number of songs by the E artists:

at start: 585
at end: 439

dates:

2/28/10 - 3/30/10

highlights/surprises: 
band with the most tracks: elastica with 52 (this is more than the number of actual songs that they ever wrote - this includes a BBC Radio One session that they recorded and some covers)


deleted:


a ton of eminem. i had a few of his albums and i never listened to them, and three days of that shit was more than enough. i'm all for creative license and artists' rights and freedom of speech, but fuck, i don't want to listen to shit about some douche rapper raping and killing women. i kept a few tracks but i'm not really all that interested. he has quite the persecution complex.
"more than words" by extreme. very 7th grade for me. no use for it.

the elected. now i know that i only like jenny lewis' contributions to rilo kiley. blake sennet, on his own, is a whiny mess.

about 20 songs from everclear. oh, is this song about how you grew up poor with bad parents and then you did a lot of heroin, and you love your daughter? i do love the song "now that it's over" - a great fuck-you break up song. their cover of "brown-eyed girl" is really bad. what's awesome is that when i was trying to figure out what song we should dance to at my wedding for the dad/bride dance, my sister was like "how about 'brown-eyed girl'?" it gave me a complex that my own sister doesn't even know what i look like, or care enough to have noticed that my eyes are blue.

lessons learned/randoms:

every time i hear "the boy's bad news" by eagles of death metal, i look around for my phone - it's the ringtone that pos chose for himself when he calls. i love that song. that laugh at the beginning! it always makes people jump when my phone starts laughing.

when "u make me want to drink bleach" by easyworld (from the albumbetter ways to self-destruct) popped up, i was expecting a dirge mess with possible emo overtones - but it's a really pretty song! apparently i have the "stylophone mix" of the song - how DO i find these things? - so i can't vouch for the original, but i like it a lot.

echo and the bunnymen - rad. "the killing moon" is fantastic, and "bring on the dancing horses" and "lips like sugar" are perfect.

engelbert humperdink is due for a resurgence - maybe quentin tarantino can use some of his songs in an ironic way and make all the kids want to sing along like he did with "son of a preacher man" inpulp fiction. the name engelbert humperdink alone is fucking amazing.

i love erasure - listening to them for two days was like a big gay dance party for a commute. my favorite is "drama!" - i was once extolling the virtues of that song to mob and he said that he and his friends always substituted "one homosexual drama after another" for the lyrics "one psychological drama."

eva cassidy had such a beautiful voice. so sad that she died so young. also gone too soon: elliott smith. you must have to really want it to be over to stab yourself in the fucking heart. stupid.

sometimes amazon.com makes a mistake when they send you your order. i was just talking to mc about this - he and jk hosted a bacon dinner party (i made these - seriously - and everyone made comparable ridiculous and amazing bacon-wrapped and bacon-stuffed food. i can't eat bacon for weeks, if not months, now) and there was a shrink-wrapped cd called bellydancer superstars 3 or something, and mc said that it was randomly mailed with the books and stuff he had ordered, and didn't bother to send it back. this happened to me a few years ago - it's how i ended up with the very best of edith piaf. this might be sacrilege, but i thought the biopic a few years ago was too boring to finish.

of all of the shows i've been to, i think the most fun i have ever had at a concert was elastica at the 9:30 club in dc in october 2000. peaches opened and i'm sorry, but she was terrible. there was this strange guy with her named gonzales who sort of provided beats for her with his boombox. i was already totally drunk and booing (as were many others) and she was like "you fuckers better not be like this for elastica." no worries, peaches - i fucking love elastica. i was so wasted i curled up under a green line metro bench when it was time to go home. i'm so glad i got to see them - i read in a recent spin that justine is now a painter in america with no plans to return to music, and donna became a born-again.

elton john. hearts. huge hearts. what's funny is that i LOVE him and HATE billy joel, and since they always seem to be touring together, i will not pay money to sit through billy joel. elton is trashy and classy and recorded some of the most senseless, weird pop ever (see: my years-ago analysis of "grey seal") but can still convey amazing heartbreak and love and longing. when not singing about the lion king- that shit is lame.

the song "fuck it" by eamon is so juvenile. love it.

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BDSM


BDSM is a continuum of erotic practice and expression involving the consensual use of restraint, intense sensory stimulation, and fantasy power role-play. The compound acronym, BDSM, is derived from the terms bondage and discipline (B&D or B/D), dominance and submission (D&S or D/s), andsadism and masochism (S&M or S/M). BDSM includes a wide spectrum of activities, forms of interpersonal relationships, and distinct subcultures.
Activities and relationships within a BDSM context are characterized by the participants usually taking on complementary, but unequal roles, thus the idea of consent of both the partners becomes essential. Typically participants who are active – applying the activity or exercising control over others – are known as tops or dominants. Those participants who are recipients of the activities, or who are controlled by their partners are typically known asbottoms or submissives. Individuals who assume either top/dominant or bottom/submissive roles — whether from relationship to relationship or within a given relationship — are known as switches.[1]

Fundamentals

A woman is chained to the wall in bondage.
The term BDSM has become a broad term for eroticized behavior between consenting adults. There is little that unites all the disparate subcultures which are grouped under the umbrella term BDSM. Interpersonal relationships which are based on the social conventions of one of the BDSM subcultures, exist in marked contrast with the current Western ideal of such relationships being based on a partnership between equals.
While the terminology for roles varies widely within the various BDSM subcultures, Top and Dominant are widely recognized terms for those partner(s) in the relationship or activity which are respectively the physically active or controlling participants, and Bottom and Submissive are widely recognized terms for those partner(s) in the relationship or activity which are respectively the physically receptive or controlled participants. The interaction between Tops and Bottoms, where physical and/or mental control of the Bottom is surrendered to the Top – whether in the context of a short term encounter typically referred to as a scene, or in the context of a longer-term relationship – is sometime known as power exchange.
BDSM actions can often take place during a specific period of time agreed to by both parties, referred to as "play", "a scene" or "a session". Parties involved usually derive pleasure from this, even though many of the practices that are performed, such as inflicting pain, humiliation or being restrained would be considered unpleasant under normal circumstances. Sexual intercourse, be it oralanal or vaginal, may occur within a session, but is not essential.[2] Such explicit sexual interaction is seen only extremely rarely in public play spaces, and is often a violation of the standing rules in most spaces.
The fundamental principles for the exercise of BDSM require that it should be performed by responsible partners, of their own volition, and in a safe way. Since the 1980s these basic principles have been condensed into the motto "Safe, sane and consensual", abbreviated as SSC, which means that everything is based on safe, sane and consenting behavior of all involved parties.[3] This mutual consent makes a clear legal and ethical distinction between BDSM and crimes such as sexual assault or domestic violence.[4]
Some BDSM practitioners prefer a code of behavior that differs from "SSC" and described as "Risk Aware Consensual Kink" (RACK), indicating a preference of a style in which the individualresponsibility of the involved parties is emphasized more strongly, with each participant being responsible for his or her own well-being. RACK focuses primarily upon awareness and informed consent, rather than accepted safe practices.[5] Consent is the most important criterion here. The consent and compliance for a sadomasochistic situation can be granted only by people who are able to judge the potential results. For their consent, they must have relevant information (extent to which the scene will go, potential risks, if a safeword will be used, what that is, and so on.) at hand and the necessary mental capacity to judge. The resulting consent and understanding can often be summarized in a written "contract"; an agreement of what can and cannot take place.[6]
In general, it must be possible for the consenting partner to withdraw his or her consent;[7] for example, by using a safeword that was agreed on in advance.[8][9] Failure to honor a safeword is considered serious misconduct and could even change the sexual consent situation into a crime, depending on the relevant law,[8] since the bottom has explicitly revoked his or her consent to any actions which follow the use of the safeword (see Legal status).

[edit]Safety

Aside from the general advice related to safe sex, BDSM sessions often require a wider array of safety precautions than typical vanilla sex (sexual behavior without BDSM elements).[8]
To ensure consensus related to BDSM activity, pre-play negotiations are commonplace, especially among partners who do not know each other very well. These negotiations concern the interests and fantasies of each partner and establish a framework.[10] This kind of discussion is a typical "unique selling proposition" of BDSM sessions and quite commonplace.[11] Additionally, safewords are often arranged to provide for an immediate stop of any activity if any participant should so desire.[12] Safewords are, by definition, not commonly used words during any kind of play. Such things as "no", "stop", and "don't", are not appropriate as a safeword due to the tendency for people to say those things without meaning it. A safeword needs to be something one can remember and call to mind when things are either not going as planned or have crossed a threshold one cannot handle. The most common used form of safewords are "green", "yellow", and "red". "Red" meaning to stop and there would be no further play. "Yellow" being, "This is getting too intense". "Green" meaning that everything is okay.[citation needed]
Participants of BDSM understand practical safety aspects; for instance they recognize which parts of the human body have a risk of damage to nerves and blood vessels by contusion or have a high risk of scar development. Using cropswhips, or floggers, the top's fine motor skills and anatomical knowledge can make the difference between a satisfying session for the bottom, and a highly unpleasant experience that may even entail severe physical harm.[13] The very broad range of different BDSM "toys" and physical and psychological control techniques often requires a far-reaching knowledge of details related to the requirements of the individual session, such as anatomyphysics, and psychology.[14][15][16] Despite these risks, BDSM activities usually result in far less severe injuries than sports like boxing and football, and BDSM practitioners do not visit emergency rooms more often than the general population.[17]
It is necessary to be able to identify each person's psychological squicks or "freakouts" in advance in order to avoid them. Such losses of emotional balance due to sensory or emotional overload are a fairly common issue. It is important to follow their reactions empathetically and continue or stop accordingly.[8][18]

[edit]Aspects

The initialism BDSM includes psychological and physiological facets:
  • Bondage & Discipline (B&D)
  • Dominance & Submission (D&S)
  • Sadism & Masochism (or Sadomasochism) (S&M)
  • Types of Play
This model for differentiating among these three aspects of BDSM is increasingly used in literature today.[1] Nevertheless, it is only an attempt at phenomenological differentiation. Individual tastes and preferences in the area of sexuality may overlap among these areas, which are discussed separately here.

[edit]Bondage and discipline

Two women tapegagged and cuffed to iron bars
Bondage and Discipline are two aspects of BDSM that do not seem to relate to one another because of the type of the activities involved, but they have conceptual similarities, and that is why they appear jointly. Contrary to the other two types, B/D does not define the Tops and Bottoms itself, and is used to describe the general activities with either partner being the receiver and the giver.[19]
The term "Bondage" describes the practice of Physical restraining. Bondage is usually, but not always, a sexual practice.[20] While bondage is a very popular variation within the larger field of BDSM, it is nevertheless sometimes differentiated from the rest of this field.[21] Studies among BDSM practitioners in the U.S. have shown that about half of all men find the idea of bondage to be erotic; many women do as well. Strictly speaking, bondage means binding the partner by tying their appendages together; for example, by the use of handcuffs or by lashing their arms to an object. Bondage can also be achieved by spreading the appendages and fastening them with chains to a St. Andrews cross or spreader bars.[22]
The term "Discipline" describes the Psychological restraining, with the use of rules and punishment to control overt behavior.[19] Punishment can be pain caused physically (such as caning), humiliation caused psychologically (such as a public flagellation) or loss of freedom caused physically (for example, chaining the Bottom to the foot of a bed). Another aspect is the structured training of the Bottom.[23]

[edit]Dominance and submission

"Dominance and submission" (also known as D&sDs or D/s) is a set of behaviors, customs and rituals relating to the giving and accepting of control of one individual over another in an erotic or lifestyle context. It explores the more mental aspect of BDSM. This is also the case in many relationships not considering themselves as sadomasochistic; it is considered to be a part of BDSM if it is practiced purposefully. The range of its individual characteristics is thereby wide.[24]
Strappado with rope and a spreader bar. This practice has a distinct effect of immobilization and pain.
Examples of mentally oriented practices are education games, during which the dominant requires certain forms of behavior from the submissive. Special forms include erotic roleplay like ageplay, in which a difference in age, either real or enacted, formulates the background; or petplay. Concerted deployed sexual rejection exercised on the partner can be an aspect of Dominance and Submission as well (see cuckoldry). The most established and probably most cliché set form of dominance and submission is Dominance and slavery. These can be administered for the short duration of a session among otherwise-emancipated partners, but also can be integrated into everyday life indefinitely. In a few relationships, it leads as far as total submission of one partner in the truest sense of the phrase total power exchange. Compensating elements of the total dominance and submission are care and devotion complementing one another, thus facilitating stable relationships. The consensual submission of the sub is sometimes demonstrated to others by symbols indicating his/her belonging to the dom, such as wearing a collar, special tattoospiercings, a very short haircut or a bald head.
Often, "slave contracts" are set out in writing to record the formal consent of the parties to the power exchange, stating their common vision of the relationship dynamic. The purpose of this kind of agreement is primarily to encourage discussion and negotiation in advance, and then to document that understanding for the benefit of all parties. Such documents have not been recognized as being legally binding, nor are they intended to be. These agreements are binding in the sense that the parties have the expectation that the negotiated rules will be followed. Often other friends and community members may witness the signing of such a document in a ceremony, and so parties violating their agreement can result in loss of face, respect or status with their friends in the community.
In general as compared to conventional relationships, BDSM participants go to great lengths to negotiate the important aspects of their relationships in advance, and to take great care in learning about and following safe practices.

[edit]Sadomasochism

Erotic spanking on a male Bottom.
The term sadomasochism is derived from the words sadism and masochism (see Etymology). In the context of consensual sexual activities, sadism and masochism are not strictly accurate terms; there is a significant difference from the medical or psychological usage of both terms. Sadomasochism refers to the physical aspects of BDSM. Sadism describes sexual pleasure derived by inflicting pain, degradation, or humiliation on another person. On the other hand, the masochist enjoys being bound, spanked or suffering within the consensual scenario. Sadomasochism does not imply enjoyment through causing or receiving pain in other situations (for example, accidental injury, medical procedures). Discipline often incorporates sadomasochistic aspects. Sadomasochism is practiced in isolation relatively rarely, although certain practices BDSM can be performed solo, such as self-bondage and autoerotic asphyxia, but such practices can be dangerous, at times resulting in injury or death.[25]
Both, D/S and S/M self define the Top and Bottom, with Dominant/Sadist being the Top and Submissive/Masochist being the Bottom. Whereas in B/D the declaration of the Top/Bottom is required.[19]

[edit]Physical aspects

A woman's back covered with different colored waxes.
Use of hand and thumbcuffs on the feet with a Wartenberg wheel
On a physical level BDSM is commonly misconceived to be "all about pain".[26] Most often though BDSM practitioners are primarily concerned with power, humiliation, and pleasure.[26] Of the three categories of BDSM only sadomasochism specifically requires pain, but this is typically a vehicle for feelings of humiliation, dominance, and the such. The aspects of D/S and B/D may not include physical suffering at all, but include the sensations inherited by different emotions of the mind.[26] Dominance & Submission of power is an entirely different experience, and is not always psychologically associated with physical pain. Many BDSM activities might not involve any kind of pain or humiliation, but just the exchange of Powers (Power Exchange).[19][26] During the activities, the practitioners feel endorphins to the so-called "runner’s high" or to the afterglow of orgasm.[27] The corresponding trance-like mental state is also known as "subspace" and is regularly described as very comforting. Some use the term "body stress" to describe this physiological sensation.[28] This experience ofalgolagnia is important, but is not the only motivation for many BDSM practitioners. The philosopher Edmund Burke defines this sensation of pleasure derived from pain by the word sublime.[29] There is a wide array of BDSM practitioners who take part in sessions for which they do not receive any personal gratification. They enter such situations solely with the intention to allow their partners to fulfill their own needs and/or fetishes. They do this in exchange of money for the session activities.[19]
In some BDSM sessions, the Top exposes the Bottom to a wide range of sensual impressions, for example: pinching, biting, scratching with fingernails,spanking or the use of various objects such as cropswhips, liquid waxicecubesWartenberg wheelserotic electrostimulation or others.[30] Fixation byhandcuffsropes or chains may be used as well. The repertoire of possible "toys" is limited only by the imagination of both partners. To some extent, everyday items like clothes-pinswooden spoons or plastic wrap are used as pervertibles.[31] It is commonly considered that a pleasurable BDSM experience during a session is very strongly dependent upon the top's competence and experience and the bottom's physical and mental state at the time of the session. Trust and sexual arousal help the partners enter a shared mindset.[32][33] Some BDSM practitioners compare related sensations with musical compositions and representation, in which single sensual impressions are the musical notes of the situation. From this point of view, different sensuous impressions are combined to create a total experience leaving a lasting impression.

[edit]Some types of play

[edit]Relationships

[edit]Roles

[edit]Top and bottom

A typical slave collar with ring for possible attachment of a leash. Such or comparable models are sometimes used by bottoms as a symbol of ownership to their tops.
In a BDSM relationship the partner who has the active (i.e. controlling) role in a session or in the entire relationship is described as the "top", a role that often involves inflicting pain, degradation or subjugation. The partner referred to as the "bottom", or more frequently as the sub (short for submissive), submits voluntarily to the actions of the top. Although the top usually is the dominant and the bottom the submissive partner, it is not inevitably so. In some cases the top follows instructions, i.e., he "tops" the bottom according to the bottom's desires and in a way the bottom expressly requires. A top only having apparent control, while in reality conforming to the instructions given by the bottom, is referred to as a service top. In contrast a dominant top controls their submissive partner by using physical or psychological techniques. If desired the top can even instruct the submissive partner to exercise temporary control. The Japanese words 'Seme' and 'Uke' can respectively be used to describe the 'top' or 'bottom' within a BDSM relationship, or in yaoi to refer to the partner that is penetrating, and the partner that is being penetrated.[citation needed]
A similar distinction also may apply to bottoms. At one end of the spectrum are those who are indifferent to, or even reject physical stimulation. At the other end of the spectrum are bottoms who enjoy physical and psychological stimulation but are not willing to be subordinate to the person who applies it. The bottom is frequently the partner who specifies the basic conditions of the session and gives instructions, directly or indirectly, in the prelude to the session, while the top often respects this guidance. Other bottoms try to incur punishment from their top by provoking them or "misbehaving". Nevertheless a small, very puristic "school"[34] exists within the BDSM community, which regards such "topping from the bottom" as incompatible with the standards of BDSM relations.

[edit]Switch

BDSM practitioners may also be a "switch", meaning they play either or both roles, top or bottom, depending on the actual session's setting. They may practice this within one specific session or take these different roles in different sessions with the same or different partners. There are many reasons for this. Sometimes a switch lives in a relationship with a partner of the same primary preference (for example, two tops), so switching represents the only possibility of being able to fulfill all of his or her BDSM needs within the relationship. Some people change roles without regarding themselves as switches since they do it very irregularly, or only under certain circumstances.

[edit]Types of relationships

[edit]Play

A typical BDSM "sling" .
BDSM practitioners sometimes regard the practice of BDSM in their sex life as role playing and so often use the terms "Play" and "Playing" to describe activities where they're in their perspective roles. Play of this sort for a specified period of time is often called a "Session", and the contents and the circumstances of play are often referred to as the "Scene". It is also common in personal relationships to use the term "Kink Play" for BDSM activities, or more specific terms for the type of activity. The relationships can be of varied types.

[edit]Long term

Early writings on BDSM both by the academic and BDSM community spoke little of long-term relationships with some in the Gay Leather community suggesting short-term play relationships to be the only feasible relationship models, and recommending people to get married and "play" with BDSM outside of marriage. In recent times though writers of BDSM and sites for BDSM have been more focused on long-term relationships.
A 2003 study, the first to look at these relationships, fully demonstrated that "quality long-term functioning relationships" exist among practitioners of BDSM, with either sex being the top or bottom (homosexual couples were not looked at).[35] Respondents in the study expressed their BDSM orientation to be built into who they are, but considered exploring their BDSM interests an ongoing task, and showed flexibility and adaptability in order to match their interests with their partners.[36] The "perfect match" where both in the relationship shared the same tastes and desires was rare, and most relationships required both partners to take up or put away some of their desires.[36] The BDSM activities that the couples partook in varied in sexual to nonsexual significance for the partners who reported doing certain BDSM activities for "couple bonding, stress release, and spiritual quests".[37] The most reported issue amongst respondents was not finding enough time to be in role with most adopting a 24/7 lifestyle wherein both partners maintain their dominant or submissive role throughout the day.[38]
Amongst the respondents it was typically the bottoms who wanted to play harder, and be more restricted into their roles when there was a difference in desire to play in the relationship.[38][39] The author of the study, Bert Cutler, speculated that tops may be less often in the mood to play due to the increased demand for responsibility on their part: being aware of the safety of the situation and prepared to remove the bottom from a dangerous scenario, being conscious of the desires and limits of the bottom, and so on.[39] The author of the study stressed that successful long-term BDSM relationships came after "early and thorough disclosure" from both parties of their BDSM interests.[39]
Many of those engaged in long-term BDSM relationships learned their skills from larger BDSM organizations and communities[40] There was a lot of discussion by the respondents on the amount of control the top possessed in the relationships with almost non-existent discussion of the top "being better, or smarter, or of more value" than the bottom.[41] Couples were generally of the same mind of whether or not they were in 24/7 relationship, but noted that in such cases the bottom is not locked up 24/7, but that their role in the context of the relationship was always present, even when the top is doing non-dominant activities such as household chores: cleaning, taking out the trash, and so on., or the bottom being in a more dominant position.[41] In its conclusion the study states:
The respondents valued themselves, their partners, and their relationships. All couples expressed considerable good will toward their partners. The power exchange between the cohorts appears to be serving purposes beyond any sexual satisfaction, including experiencing a sense of being taken care of and bonding with a partner.[42]
The study further goes on to list three aspects that made the successful relationships work: early disclosure of interests and continued transparency, a commitment to personal growth, and the use of the dominant/submissive roles as a tool to maintain the relationship.[43] In his closing remarks the author of the study theorizes that due to the serious potential for harm that couples in BDSM relationships develop increased communication that may be higher than in mainstream relationships[44]
[edit]24/7 lifestyle
Demonstration of Shibari bondage techniques at the Folsom 2003 street fair.
A subset of long-term BDSM relationships are relationships in which everyday life is clearly framed by the concept of BDSM even outside of sexual activities.[8] The partners involved maintain in their daily life an appropriate balance of power and accordingly make aspects of BDSM a consistent part of their lifestyle. Here, BDSM cannot be designated a merely sexual phenomenon. The term "24/7 relationship" is derived from 24 hours a day, 7 days a week. Another term for such behavior is "D/s", derived from "Dominant/submissive". The dominant partner controls most aspects of the submissive's life. Particular areas of life such as work, family, or friends can be excluded from the D/s relationship and not be placed under control of the dominant partner. Some D/s relationships, however, cover all areas of life; such constellations are designated as a "Total Power Exchange" (TPE). In D/s, and especially in TPE relationships, changes in the balance of power (so-called "Switching") only rarely take place. TPE relationships probably represent the least common role behavior within the BDSM spectrum. One such Matriarchal community that promotes this is the Other World Kingdom community.

[edit]Professional services

A professional dominatrix or professional dominant, often referred to within the culture as a "pro-domme", offers services encompassing the range of bondage, discipline, and dominance in exchange for money. Such professional services might not include sexual intercourse, and may and may not include masturbation or ejaculation of semen by other means. In many cases, the gratification or climax of the client does not include direct orgasm, and is dealt respectively. It is common among dominatrices to separate themselves from prostitutes, though there are plenty of prostitutes who also work as professional dominatrices.[19]
The term "Dominatrix" is little-used within the non-professional BDSM scene. A non-professional dominant woman is more commonly referred to simply as a "Domme", "Dominant", or "Femdom". There are also services provided by professional female submissives ("pro-subs"). A professional submissive consents to her client's dominant behavior within negotiated limits, and often works within a professional dungeon. Although far more rare professional submissives do exist.[45] Most of the people who work as subs normally have tendencies towards such activities, especially when sadomasochism is involved.[citation needed] Males also work as professional "Tops" in BDSM, and are called "Doms" or "Maledoms". However it is much more rare to find a male in this profession. (It should also be noted that a male "pro-dom" typically only works with male clientele)[19]

[edit]Scene: subculture and public

Spanking with a paddle in a BDSM dungeon in New York City.
Today the BDSM culture exists in most western countries.[46] This offers BDSM practitioners the opportunity to discuss BDSM relevant topics and problems with like-minded people. This culture is often viewed as a subculture, mainly because BDSM is often still regarded as "unusual" by some of the public. Many people hide their leaning from society since they are afraid of the incomprehension and of social exclusion. It is commonly known in the BDSM culture that there are practitioners living on all continents, but there is no documented evidence for many countries (due to restrictive laws and censorship motivated by politics or religion) except their presence in online BDSM communities and dating sites.
This scene appears particularly on the Internet, in publications, and in meetings such as SM parties, gatherings called munches, and erotic fairs. The annualFolsom Street Fair is the world's largest BDSM event.[47] It has its roots in the gay leather movement. There are also conventions like Living in Leather,TESfest' Shibaricon, Spankfest, and Black Rose. North American cities that have large BDSM communities include New York CityAtlantaSeattleDenver,Los AngelesBostonChicagoHoustonPhiladelphiaSan FranciscoSan DiegoDallasMinneapolisTorontoWinnipeg, and Vancouver. European cities with large BDSM communities include LondonParisBerlinAmsterdamMunichCologneHamburg and Rome.

[edit]Symbols

The Leather Pride flag, a symbol of the BDSM and Fetish subculture.
Triskelion-type BDSM emblem.
BDSM and fetish items and styles have been spread widely in western societies' everyday life by different factors, such as avant-garde fashionheavy metal,goth subculture, and science fiction TV series,[48] and are often not consciously connected with their BDSM roots by many people. While it was mainly confined to the Punk and BDSM subcultures in the 1990s, it has since spread into wider parts of western societies.
The Leather Pride flag is a symbol for the Leather subculture and also widely used within BDSM. In continental Europe the Ring of O is widespread among BDSM practitioners. The Triskelion, is common in English-speaking communities.
BDSM Rights Flag colour BDSM Rights Flag Black and White
The BDSM Rights Flag intended to represent the belief that people whose sexuality or relationship preferences include Bondage and Discipline, Dominance and Submission, or Sadism and Masochism ("BDSM") deserve the same human rights as everyone else, and should not be discriminated against for pursuing BDSM with consenting adults.
The flag is inspired by the Leather Pride Flag and Quagmyr's BDSM Emblem, but is specifically intended to represent the concept of BDSM Rights and to be without the other symbols' restrictions against commercial use. It's designed to be recognisable by people familiar with either the Leather Pride Flag or BDSM Triskelion (or Triskele) as "something to do with BDSM"; and to be distinctive whether reproduced in full colour, or in black and white (or another pair of colours.)[49]

[edit]Prejudices

Exhibition of a male sub inZentai and chains at the Cologne Gay Pride festival, 2006.
Understanding of BDSM culture and practices remains intertwined with prejudicesclichés and stereotypes. Misunderstandings may arise from general lack of knowledge concerning sexuality and sexual practices as well as misconceptions on how one's personal life and public persona can vary greatly. For example, it is sometimes assumed that a submissive would prefer to experience pain and degradation in their everyday life, or conversely, that they would prefer to have exactly the opposite. There is no clear correlation between the position in everyday life and BDSM preferences. A further misunderstanding is that members of BDSM communities want only to be hurt or to inflict physical, psychological and mental pain, which diminishes and disparages the emotional and spiritual relationships that develop.[50]
Another misconception is the idea of women generally being the dominant party in BDSM relationships. Quite often the picture of BDSM is reduced to the idea of crude corporal punishment, neglecting the broad spectrum of behaviors within the culture. Along with the whip-swinging dominatrix, the sadomasochist in full leather regalia is another common cliché. While overlaps between different kinds of fetishism can exist, there is no inevitable connection between BDSM and fetishism (for example,: latex, PVC or leather). The frequent occurrence of such clothing can be partly explained by its function as a quasi-formalized dress code.
Since the term BDSM covers a broad range of human behavior, the arising spectrum of individual interests and personalities is large and extremely diverse. Due to the lack of information in the total population and the reluctance with many to come out about matters of an extremely personal nature leads to situations in which actions and statements of individual BDSM practitioners are accredited to the community at large just as the larger LGBT community has been characterized by drag queensand other minority communities similarly mischaracterized.
At least in the western, industrialized countries and Japan, since the 1980s sadomasochists have begun to form information exchange and support groups to counter discriminatory images. This has happened independently in the United States and in several European countries. With the advent of the web, international cooperation has started to develop—for example Datenschlag is a joint effort of sadomasochists in the three major German-speaking countries, and the mailing list Schlagworteuses the model of a news agency to connect six countries. Some credit highly publicized events like Operation Spanner and the International leather contests with fostering international cooperation and collaboration.

[edit]Coming out

BDSM Activists at Taiwan Pride 2005,Taipei
Carriage drawn by a Pony-Girl, Petplay at the Folsom Parade 2005.
Some people who feel attracted by the situations usually compiled under the term BDSM reach a point where they decide to come out of the closet, though many sadomasochists keep themselves closeted. Even so, depending upon a survey's participants, about 5 to 25 percent of the US-American population show affinity to the subject.[51][52] Other than a few artists, practically no celebrities are publicly known as sadomasochists.
Public knowledge of one's BDSM lifestyle can have devastating vocational and social effects (Persona non grata) for sadomasochists. The reason for this is seen by some authors as primarily a lack of public educational advertising, exacerbated by overly lurid and sensationalized media coverage.
Within feminist circles the discussion has been split roughly into two camps: some who see BDSM as an aspect or reflection of oppression (for example,Alice Schwarzer) and, on the other side, pro-BDSM feminists, often grouped under the banner of sex-positive feminism (see Samois); both of them can be traced back to the 1970s.[53]
Some feminists have criticized BDSM for eroticizing power and violence, and for reinforcing misogyny. They argue that women who engage in BDSM are making a choice that is ultimately bad for women.[54] Feminist defenders of BDSM argue that consensual BDSM activities are enjoyed by many women and validate the sexual inclinations of these women.[55] They argue that feminists should not attack other woman's sexual desires as being "anti-feminist", and point out that there is no connection between consensual kinky activities and sex crimes. The main point of feminism is giving an individual woman free choices in her life; that includes her sexual desire. While some radical feminists suggest connections between consensual BDSM scenes and non-consensual rape and sexual assault, sex-positive feminists may tend to find this insulting to women.[56][57]
It is often mentioned that in BDSM, roles are not fixed to gender, but personal preferences. Several studies on the correlation of BDSM pornography and the violence against women recapitulate that there is no correlation. Japan is a useful example: a country which has the lowest rate of sexual crimes of all industrialized nations while being well known for its comprehensive BDSM and bondage pornography (see Pornography in Japan).[58] In 1991 a lateral survey came to the conclusion that between 1964 and 1984, despite the increase in amount and availability of sadomasochistic pornography in the US, Germany,Denmark and Sweden there is no correlation with the national number of rapes to be found.[59]
Operation Spanner in the UK proves that BDSM practitioners still run the risk of being stigmatized as criminals. In 2003, the media coverage of Jack McGeorge showed that simply participating and working in BDSM support groups poses risks to one's job, even in countries where no law restricts it.[60] Here a clear difference can be seen to the situation of homosexuals.[clarification needed] The psychological strain appearing in some individual cases is normally neither articulated nor acknowledged in public. Nevertheless it leads to a difficult psychological situation in which the person concerned can be exposed to high levels of emotional stress.[61]
In the stages of "self awareness" , he or she realizes their desires related to BDSM scenarios and/or decides to be open for such. Some authors call thisinternal coming-out. Two separate surveys on this topic independently came to the conclusion that 58 percent and 67 percent of the sample respectively, had realized their disposition before their 19th birthday. Other surveys on this topic show comparable results.[62][63] Independent of age, coming-out can potentially result in a difficult life crisis, sometimes leading to thoughts or acts of suicide. While homosexuals have created support networks in the last decades, sadomasochistic support networks are just starting to develop in most countries. In German speaking countries they are only moderately more developed.[64] The internet is the prime contact point for support groups today, allowing for local and international networking. In the US Kink Aware Professionals (KAP) a privately funded, non-profit service provides the community with referrals to psychotherapeutic, medical, and legal professionals who are knowledgeable about and sensitive to the BDSM, fetish, and leather community.[65] In the USA and the UK, the Woodhull Freedom Foundation & FederationNational Coalition for Sexual Freedom (NCSF) and Sexual Freedom Coalition (SFC) have emerged to represent the interests of sadomasochists. The German Bundesvereinigung Sadomasochismus e.V. is committed to the same aim of providing information and driving press relations. In 1996 the website and mailing list Datenschlag went online in German and English providing the largest bibliography, as well as one of the most extensive historical collections of sources related to BDSM.

[edit]Parties and clubs

A young female Bottom on a St. Andrew's cross.
BDSM parties are events on which BDSM practitioners and other similarly interested people meet in order to communicate, share experiences and knowledge, and to "play" in an erotic atmosphere. The parties show similarities with ones in the dark culture, being based on a more or less strictly enforceddress code; most often clothing made of latex, leather or vinyl/PVC, lycra and so on., emphasizing the body's shape and the primary and secondary sexual characteristic. The requirement for such dress codes differ. While some events have none, others have a policy in order to create a more coherent atmosphere and to prevent voyeurs from taking part.[66]
At these parties, BDSM can be publicly performed on a stage, or more privately in separate "dungeons".[67] Sexual intercourse is only rarely seen, and almost taboo within most public play spaces. A reason for the relatively fast spread of this kind of event is the opportunity to use a wide range of "playing equipment", which in most apartments or houses is unavailable. Slings, St. Andrews crosses (or similar restraining constructs), spanking benches, and punishing supports or cages are often made available. The problem of noise disturbance is also lessened at these events, while in the home setting many BDSM activities can be limited by this factor. In addition, such parties offer both exhibitionists and voyeurs a forum to indulge their inclinations without social opprobrium. In order to ensure the maximum safety and comfort for the participants certain standards of behavior have evolved, these include aspects ofcourtesyprivacy, respect and safewords among others.[8] Today BDSM parties are taking place in most of the larger cities in the western world.
In some cities there are specialized BDSM clubs with a more or less structured program schedule, in which theme parties alternate with topic-free "play evenings", similar to the business concepts of more conventional nightclubs. Social control of these parties and/or in the clubs is far higher than in a normal discothèque. Consensuality in the public BDSM sessions is strictly monitored and enforced. Apart from commercial events there are also privately organized or only moderately profit-oriented parties, which are organized by BDSM groups and individuals. Minors are not allowed at parties or clubs, even though intercourse and drinking are usually not found in these parties.

[edit]Psychology

[edit]Prevalence

Flogging-demonstration at the 2004Folsom Street Fair event for the leather, kink and GLBT communities held in San Francisco.
BDSM is practiced in all social strata and is common in both heterosexual and homosexual men and women in varied occurrences and intensities.[68][69] The spectrum ranges from couples with no connections to the subculture in their homes, without any awareness of the concept of BDSM, playing "tie-me-up-games", to public scenes on St. Andrew's crosses at large events, for example the Folsom Fairs in several American and European cities. The percentage of women is significantly higher than that of most behavior patterns formally considered to be paraphilias. Estimation on the overall percentage of BDSM related sexual behavior in the general population range from 5 to 25 percent, depending on the scientific objectives.
David Shankbone interviews two dominatices about strange client requests.ogg
Two professional dominatrixes interviewed by David Shankbone about the psychological aspects of some of their stranger request.[70]
A non-representative survey on the sexual behavior of American students published in 1997 and based on questionnaires had a response rate of about 8–9%. It results showed 15% of openly homosexual males, 21% of openly lesbian and female bisexual students, 11% of heterosexual males and 9% of female heterosexual students committed to BDSM related fantasies.[52] In all groups the level of practical BDSM experiences varied about 6%. Within the group of openly female bisexuals and lesbians the quote was significantly higher, at 21%. Independent of their sexual orientation, about 12% of all questioned students, 16% of the outed female lesbians and bisexuals and 8% of the male heterosexuals articulated an interest in spanking. Experience with this sexual behavior was indicated by 30% of male heterosexuals, 33% of female bisexuals and lesbians, and 24% of the male gay and bisexual men and female heterosexual women.[52] Even if this study were not considered representative, other surveys indicate similar dimensions in a differing target groups.[71][72][73]
In a representative study published in 1999 by the German Institut für rationale Psychologie, about two thirds of the interviewed women stated a desire to be at the mercy of their sexual partners from time to time. 69% admitted to fantasies dealing with sexual submissiveness, 42% stated interest in explicit BDSM techniques, 25% in bondage.[74] A 1976 study in the general U.S. population suggests three percent have had positive experiences with Bondage or master-slave role playing. Overall 12% of the interviewed females and 18% of the males were willing to try it.[75][76] A 1990 Kinsey Institute report stated that 5% to 10% of Americans occasionally engage in sexual activities related to BDSM. 11% of men and 17% of women reported trying bondage.[77][78] Some elements of BDSM have been popularized through increased media coverage since the middle 1990s. Thus both black leather clothing, sexual jewellery such as chains and dominance role play appear increasingly outside of BDSM contexts.
The Ring of O as a finger ring.
According to a 2005 survey of 317,000 people in 41 countries, about 20% of the surveyed people have at least once used masks, blindfolds or other bondage utilities, and 5% explicitly connected themselves with BDSM.[79] In 2004, 19% mentioned spanking as one of their practices and 22% confirmed the use of blindfolds and/or handcuffs.[79] Some BDSM accessories, like the Ring of O, have been integrated into the jewelry collections of internationally well known designers like Calvin Klein.

[edit]Psychological categorization

In the past, many activities and fantasies related to BDSM were generally attributed to sadism or masochism and were regarded by psychiatrists as an illness. Following the International Classification of Diseases (ICD-10) sadomasochism is categorized a "Disorder of sexual preference" (F65.5) and described as follows: "A preference for sexual activity which involves the infliction of pain or humiliation, or bondage. If the subject prefers to be the recipient of such stimulation this is called masochism; if the provider, sadism. Often an individual obtains sexual excitement from both sadistic and masochistic activities."[80]
With the publication of the Diagnostic and Statistical Manual of Mental Disorders (DSM-IV) in 1994 new criteria of diagnosis were available describing BDSM clearly not as disorders of sexual preferences. They are no longer regarded as illnesses in and of themselves. The DSM-IV asserts that "The fantasies, sexual urges, or behaviors" must "cause clinically significant distress or impairment in social, occupational, or other important areas of functioning" in order for sexual sadism or masochism to be considered a disorder. In an AASECT article providing guidelines for therapists working with BDSM clients, sexologistsCharles Allen Moser and Peggy Kleinplatz highlight that distress can occur in BDSM patients due to stigma and discrimination surrounding BDSM, and that in these circumstances the role of the therapist is to "validate the distress rather than to "cure" the BDSM desires."[81] The DSM-IVs' latest edition (DSM-IV-TR) further requires that the activity must be the sole means of sexual gratification for a period of six (6) months, and either cause "clinically significant distress or impairment in social, occupational, or other important areas of functioning" or involve a violation of "consent" to be diagnosed as a paraphilia.[82]
Overlays of sexual preference disorders and the practice of BDSM practices can occur, however.
In Europe, an organization called ReviseF65 has worked towards this purpose in the International Classification of Diseases (ICD-10).[83] In 1995, Denmark became the first European Union country to have completely removed sadomasochism from its national classification of diseases. This was followed by Sweden in 2009, Norway in 2010 and Finland 2011.[84][85][86] Recent surveys on the spread of BDSM fantasies and practices show strong variations in the range of their results.[87] Nevertheless it can be stated that the vast majority of the researchers assume 5 to 25 percent of the population showing sexual behavior related to joyfully experienced pain or dominance and submission. The population with related fantasies is considered even higher.[87]
There are only a few studies researching the psychological aspects of BDSM using modern scientific standards. A pivotal survey on the subject was published by US-American psychotherapist Charles Moser in 1988 in the Journal of Social Work and Human Sexuality.[61] His conclusion was that while there is a general lack of data on the psychological problems of BDSM practitioners, some fundamental results are obvious. He emphasizes that there is no evidence for the theory that BDSM has common symptoms or any common psychopathology; Clinical literature, though does not give a consistent picture of BDSM practitioners. Moser emphasizes that there is no evidence at all supporting the theory of BDSM practitioners having any special psychiatric problems or even problems based solely on their preferences.
Moser's results were supported by data presented to the 2007 World Congress of Sexology by Juliet Richters, Richard De Visser, Andrew Grulich, and Christropher Rissel. The researchers found that BDSM practitioners were no more likely to have experienced sexual assault than the control group, and were not more likely to feel unhappy or anxious. The BDSM males reported higher levels of psychological well-being than the controls. It was concluded that "BDSM is simply a sexual interest attractive to a minority, not a pathological symptom of past abuse or difficulty with normal sex."[88]
Problems do sometimes occur in the area of self classification by the person concerned. During the phase of the "coming-out", self questioning related to one's own "normality" is quite common. According to Moser, the discovery of BDSM preferences can result in fear of the current non-BDSM relationship's destruction. This, combined with the fear of discrimination in everyday life, leads in some cases to a double life which can be highly burdensome. At the same time, the denial of BDSM preferences can induce stress and dissatisfaction with one's own "vanilla"-lifestyle, feeding the apprehension of finding no partner. Moser states that BDSM practitioners having problems finding BDSM partners would probably have problems in finding a non-BDSM partner as well. The wish to remove BDSM preferences is another possible reason for psychological problems since it is not possible in most cases. Finally, the scientist states that BDSM practitioners seldom commit violent crimes. From his point of view, crimes of BDSM practitioners usually have no connection with the BDSM components existing in their life. Moser's study comes to the conclusion that there is no scientific evidence, which could give reason to refuse members of this group work- or safety certificates, adoption possibilities, custody or other social rights or privileges. The Swiss psychoanalyst Fritz Morgenthaler shares a similar perspective in his book, Homosexuality, Heterosexuality, Perversion (1988). He states that possible problems result not necessarily from the non-normative behavior, but in most cases primarily from the real or feared reactions of the social environment towards the own preferences.[89] In 1940 psychoanalyst Theodor Reik reached implicitly the same conclusion in his standard work Aus Leiden Freuden. Masochismus und Gesellschaft.[90]

[edit]History

[edit]Origins

Tomba della Fustigazione (Tomb of Flogging), latter sixth century b.c..
Copper engraving, about 1780.
Flagellation scene, illustration to Fanny Hillby Édouard-Henri Avril.
The historical origins of BDSM are obscure. During the ninth century BC, ritual flagellations were performed in Artemis Orthia, one of the most important religious areas of ancient Sparta, where the Cult of Orthia, a preolympic religion, was practiced. Here ritual flagellation called diamastigosis took place on a regular basis. One of the oldest graphical proofs of sadomasochistic activities is found in an Etruscan burial site in Tarquinia. Inside the Tomba della Fustigazione (Tomb of Flogging), in the latter sixth century B.C., two men are portrayed flagellating a woman with a cane and a hand during an erotic situation.[91] Another reference related to flagellation is to be found in the sixth book of the Satires of the ancient Roman Poet Juvenal (1st–2nd century A.D.),[92] further reference can be found in Petronius's Satyricon where a delinquent is whipped for sexual arousal.[93] Anecdotal narratives related to humans who have had themselves voluntary bound, flagellated or whipped as a substitute for sex or as part of foreplay reach back to the third and fourth century.
The Kama Sutra describes four different kinds of hitting during lovemaking, the allowed regions of the human body to target and different kinds of joyful "cries of pain" practiced by bottoms. The collection of historic texts related to sensuous experiences explicitly emphasizes that impact play, biting and pinching during sexual activities should only be performed consensually since only some women consider such behavior to be joyful. From this perspective the Kama Sutra can be considered as one of the first written resources dealing with sadomasochistic activities and safety rules. Further texts with sadomasochistic connotation appear worldwide during the following centuries on a regular basis.[94]
There are anecdotal reports of people willingly being bound or whipped, as a prelude to or substitute for sex, during the 14th century. The medieval phenomenon of courtly love in all of its slavish devotion and ambivalence has been suggested by some writers to be a precursor of BDSM.[95][96] Some sources claim that BDSM as a distinct form of sexual behavior originated at the beginning of the 18th century when Western civilization began medically and legally categorizing sexual behavior (see Etymology). There are reports of brothels specializing in flagellation as early as 1769, and John Cleland's novelFanny Hill, published in 1749, mentions a flagellation scene.[97] Other sources give a broader definition, citing BDSM-like behavior in earlier times and other cultures, such as the medieval flagellates and the physical ordeal rituals of some Native American societies.[98]
Although the names of the Marquis de Sade and Leopold von Sacher-Masoch are attached to the terms sadism and masochism respectively, the scenes described in Sade's works do not meet modern BDSM standards of informed consent.[99] BDSM is solely based on consensual activities, and based on its system and laws, the concepts presented by Marquis de Sade are not agreed upon the BDSM culture, even though they are sadistic in nature.[19] BDSM ideas and imagery have existed on the fringes of Western culture throughout the twentieth century. Robert Bienvenu attributes the origins of modern BDSM to three sources, which he names as "European Fetish" (from 1928), "American Fetish" (from 1934), and "Gay Leather" (from 1950).[100] Another source are thesexual games played in brothels, which go back into the 19th century if not earlier. Irving Klaw, during the 1950s and 1960s, produced some of the first commercial film and photography with a BDSM theme (most notably with Bettie Page) and published comics by the now-iconic bondage artists John Willieand Eric Stanton.
Stanton's model Bettie Page became at the same time one of the first successful models in the area of fetish photography and one of the most famous pin-up girls of American mainstream culture. Italian author and designer Guido Crepax was deeply influenced by him, coining the style and development of European adult comics in the second half of the twentieth century. The artists Helmut Newton and Robert Mapplethorpe are the most prominent examples of the increasing use of BDSM-related motives in modern photography and the public discussions still resulting from this.[101]

[edit]Leather movement

Start of the Leather contingent at the 2004 San Francisco gay pride parade.
Much of the BDSM ethos can be traced back to the gay male leather culture, which formalized itself out of the group of men who were soldiers returning home after World War II (1939–1945).[102] This subculture is epitomized by the Leatherman's Handbook by Larry Townsend, published in 1972, which describes in detail the practices and culture of gay male sadomasochists in the late 1960s and early 1970s.[103][104] In 1981, however, the publication of Coming to Powerby lesbian-feminist group Samois led to a greater knowledge and acceptance of BDSM in the lesbian community.[105] They got into conflict with fundamentalist part of the feminist movement which considered BDSM to be the base of misogyny and violent porn.
Today the Leather Movement is generally seen as a part of the BDSM-culture instead as a development deriving from gay subculture, even if a huge part of the BDSM-subculture was gay in the past. In the 1990s the so called New Guard leather subculture evolved. This new orientation started to integrate psychological aspects into their play.

[edit]Internet

In the late-eighties, the Internet provided a way of finding people with specialized interests around the world as well as on a local level, and communicating with them anonymously.[8][106] This brought about an explosion of interest and knowledge of BDSM, particularly on the usenet group alt.sex.bondage. When that group became too cluttered with spam, the focus moved to soc.subculture.bondage-bdsm.
In addition to traditional sex shops, which sell sex paraphernalia, there has also been an explosive growth of online adult toy companies that specialize in leather/latex gear and BDSM toys. Once a very niche market, there are now very few sex toy companies that do not offer some sort of BDSM or fetish gear in their catalog. Kinky elements seem to have worked their way into "vanilla" markets. The former niche expanded to an important pillar of the business with adult accessories.[107] Today practically all suppliers of sex toys do offer items which originally found usage in the BDSM subculture. Padded handcuffs, latex and leather garments, as well as more exotic items like soft whips for fondling and TENS for erotic electro stimulation can be found in catalog aiming on classical vanilla target groups, indicating that former boundaries increasingly seem to shift.
During the last years the Internet also provides a central platform for networking among individuals who are interested in the subject. Besides countless private and commercial choices there is an increasing number of local networks and support groups emerging. These groups often offer comprehensive background and health related information for people who have been unwillingly outed as well as contact lists with information on psychologistsphysicians and lawyerswho are familiar with BDSM related topics.[108]

[edit]Etymology

Portrait of Marquis de Sade by Charles-Amédée-Philippe van Loo (1761)
The terms "Sadism" and "Masochism" are derived from the names of the Marquis de Sade and Leopold von Sacher-Masoch, based on the content of the authors' works. In 1843 the Hungarian physician Heinrich Kaan published Psychopathia sexualis ("Psychopathy of Sex"), a writing in which he converts the sin conceptions of Christianity into medical diagnoses. With his work the originally theological terms "perversion", "aberration" and "deviation" became part of the scientific terminology for the first time.[dubious ] The German psychiatrist Richard von Krafft Ebing introduced the terms "Sadism" and "Masochism" to the medical community in his work Neue Forschungen auf dem Gebiet der Psychopathia sexualis ("New research in the area of Psychopathy of Sex") in 1890.[109]
In 1905 Sigmund Freud described "Sadism" and "Masochism" in his Drei Abhandlungen zur Sexualtheorie ("Three papers on Sexual theory") as diseases developing from an incorrect development of the child psyche and laid the groundwork for the scientific perspective on the subject in the following decades. This led to the first time use of the compound term Sado-Masochism (German "Sado-Masochismus")) by the Viennese Psychoanalytic Isidor Isaak Sadger in its work Über den sado-masochistischen Komplex ("Regarding the sadomasochistic complex") in 1913.[110]
In the past BDSM activists turned repeatedly against these conceptual models, originally deriving from singular historical figures and implying a clearpathological connotation. They argued that there is no common sense in attributing a phenomenon as complex as BDSM to two individual humans, as well one might speak of "Leonardism" instead of Homosexuality. The BDSM scene tried to distinguish themselves with the expression "B&D" for bondage and discipline from the sometimes pejorative connotations of the term "S&M". The abbreviation BDSM itself was probably coined in the early 1990s in the subculture connected with the Usenet newsgroup alt.sex.bondage. The earliest posting with the term which is now preserved in Google Groups dates from June 1991. Later the dominance and submission dimension was integrated into the connotation of BDSM, creating the compound acronym common today.

[edit]Legal status

A bit gag used in BDSM made of leather, steel and wood
It is entirely dependent on the legal situation in individual countries whether the practice of BDSM has any criminal relevance or legal consequences. Criminalization of consensually implemented BDSM practices is usually not with explicit reference to BDSM, but results from the fact that such behavior as spanking or cuffing someone could be considered a breach of personal rights, which in principle constitutes a criminal offense.
In GermanyNetherlandsJapan and Scandinavia such behavior is legal in principle. In Austria the legal status is unclear, while in Switzerland certain BDSM practices can be considered criminal. Spectacular incidents like the US-American scandal of People v. Jovanovic and the British Operation Spannerdemonstrate the degree to which difficult grey areas can pose a problem for the individuals and authorities involved. For these reasons it is important for practitioners of BDSM to learn the legal status concerning BDSM activities in the country they reside in.

[edit]Germany

The practice of BDSM is not generally penalized in Germany if it is conducted with the mutual consent of the partners involved. To fulfill the charge of coercion the use of violence, or the threat of a "severe mistreatment" must involve an endangerment to life and limb. In cases where the continued application of the treatment could be ended through the use of a safeword, neither coercion nor sexual coercion may be charged. Similar principles apply for charges of sexual abuse of people incapable of resistance. In such cases taking advantage of a person's inability to resist in order to perform sexual acts on that person would be clearly punishable. The potential use of the safeword is considered to be sufficient possibility for resistance since this would lead to the cessation of the act, so a true inability to resist is not considered to be in effect.
According to §194 the charge of insult (slander) can only be prosecuted if the defamed person chooses to press charges. False imprisonment can be charged if the victim—when applying an objective view—can be considered to be impaired in his or her rights of free movement. According to §228 of the German criminal code a person inflicting a bodily injury on another person with that person's permission violates the law only in cases where the act can be considered to have violated good morals in spite of permission having been given. On 26 May 2004 the Criminal Panel #2 of the Bundesgerichtshof (German Federal Court) ruled that sado-masochistically motivated physical injuries are not per se indecent and thus subject to §228.[111]
Still, this ruling makes the question of indecency dependent on the degree to which the bodily injury might be likely to impair the health of the receiving party. According to the BGH, the line of indecency is definitively crossed when "under an objectively prescient consideration of all relevant circumstances the party granting consent could be brought into concrete danger of death by the act of bodily injury." In its ruling the court overturned a verdict by the Provincial Court of Kassel, according to which a man who had accidentally strangled his partner to death had been sentenced to probation for negligent manslaughter. The court had rejected a conviction on charges of bodily injury leading to death on the grounds that the victim had, in its opinion, consented to the act.
Following cases in which sado-masochistic practices had been repeatedly used as pressure tactics against former partners in custody cases, the Appeals Court of Hamm ruled in February 2006 that sexual inclinations toward sado-masochism are no indication of a lack of capabilities for successful child-raising.[112]

[edit]United Kingdom

British law does not recognize the possibility of consenting to bodily injury. Such acts are illegal, even between consenting adults, and these laws are enforced (R v Brown being the leading case).[113]Accordingly consensual activities in the UK may not constitute "assault occasioning actual or grievous bodily harm" in law. The Spanner Trust states that this is defined as activities which have caused injury "of a lasting nature" but that only a slight duration or injury might be considered "lasting" in law.[114] The decision contrasts with the later case of R v Wilson in which conviction for non-sexual consensual branding within a marriage was overturned, the appeal court ruling that R v Brown was not an authority in all cases of consensual injury and criticizing the decision to prosecute.[115]
Following Operation Spanner the European Court of Human Rights ruled in January 1999 in Laskey, Jaggard and Brown v. United Kingdom that no violation of Article 8 occurred because the amount of physical or psychological harm that the law allows between any two people, even consenting adults, is to be determined by the jurisdiction the individuals live in, as it is the State's responsibility to balance the concerns of public health and well-being with the amount of control a State should be allowed to exercise over its citizens. In the Criminal Justice and Immigration Bill 2007, the British Government cited the Spanner case as justification for criminalizing images of consensual acts, as part of its proposed criminalization of possession of "extreme pornography".[116]

[edit]Italy

In Italian law BDSM is right on the border between crime and legality, and everything lies in the interpretation of the legal code by the judge. This concept is that anyone willingly causing "injury" to another person is to be punished. In this context though "injury" is legally defined as "anything causing a condition of illness", and "illness" is ill-defined itself in two different legal ways. The first is "any anatomical or functional alteration of the organism" (thus technically including little scratches and bruises too); The second is "a significant worsening of a previous condition relevant to organic and relational processes, requiring any kind of therapy". This could make it somewhat risky to play with someone as later the "victim" may call foul play citing even an insignificant mark as evidence against the partner. Also any injury requiring over 20 days of medical care must be denounced by the professional medic who discovers it, leading to automatic indictment of the person who caused it.[117]

[edit]Austria

§90 of the criminal code declares bodily injury (§§ 83, 84) or the endangerment of physical security (§89) to not be subject to penalty in cases in which the "victim" has consented and the injury or endangerment does not offend moral sensibilities. Case law from the Austrian Supreme Court has consistently shown that bodily injury is only offensive to moral sensibilities, thus it is only punishable when a "serious injury" (a damage to health or an employment disability lasting more than 24 days) or the death of the "victim" results. A light injury is generally considered permissible when the "victim" has consented to it. In cases of threats to bodily well-being the standard depends on the probability that an injury will actually occur. If serious injury or even death would be a likely result of a threat being carried out, then even the threat itself is considered punishable.[citation needed]

[edit]Switzerland

The age of consent in Switzerland is 16 years which also applies for BDSM play. Minors (i.e. those under 16) are not subject to punishment for BDSM play as long as the age difference between them is less than three years. Certain practices however require granting consent for light injuries with only those over 18 permitted to give consent. On 1 April 2002 Articles 135 and 197 of the Swiss Criminal Code were tightened to make ownership of "objects or demonstrations [...] which depict sexual acts with violent content" a punishable offense. This law amounts to a general criminalization of sado-masochism since nearly every sado-masochist will have some kind of media which fulfills this criteria. Critics also object to the wording of the law which puts sado-masochists in the same category as pedophiles and pederasts.[118][119]

[edit]Nordic countries

In September 2010 a Swedish court acquitted a 32 year old man of assault for engaging in consensual BDSM play with a 16 year old woman (the age of consent in Sweden is 15).[120] Norway's legal system has likewise taken a similar position,[121] that safe and consensual BDSM play should not be subject to criminal prosecution. This parallels the stance of the mental health professions in the Nordic countries which have removed sadomasochism from their respective lists of psychiatric illnesses.

[edit]BDSM and culture

[edit]Theatre

Although it would be possible to establish certain elements related to BDSM in classical theater, not until the emergence of contemporary theatre could you see such topics as the main theme in the performing arts. Exemplifying this are two works: one Austrian, one German, in which BDSM is not only incorporated, but integral to the storyline of the play.
Worauf sich Körper kaprizierenAustria. Peter Kern directs and writes the script for this comedy which is a present day adaption of Jean Genet's 1950 film, A chant d'amour. A marriage in which the wife (film veteran Miriam Goldschmidt) submits her husband (Heinrich Herkie) and the butler (Günter Bubbnik) to her sadistic treatment, until two new characters take their places.[122]
Ach, Hilde (Oh, Hilda), Germany. A play by Anna Schwemmer that premiered in Berlin. A young Hilde becomes pregnant, and after being abandoned by her boyfriend she decides to become a professional dominatrix to earn money. The play carefully crafts a playful and frivolous picture of the field of professional dominatrices.[123]

[edit]Film

With film, the human being reaches the fullness of their status as voyeur. The film almost needs not mention it, an indivisible part of the human condition since the beginning of the century and millennium.[124]
Apart from films that are part of the commercial pornography circuit, cinema has been treated since its inception with in depth BDSM relationships, from 1909 to the present decade. The current decade in particular has an abundance of examples: SadeQuillsThe Piano TeacherBeyond VanillaSecretaryWir leben, among others.
Naturally, there are thousands of movies that touch on or contain accents of BDSM or generic sadomasocism, or contain scenes of BDSM scenarios: Last Tango in ParisEmmanuellePersonal ServicesBasic InstinctEyes Wide Shut, not to mention many others, but these are not seen as part of the filmography of BDSM.

[edit]Literature

Although examples of literature catering to BDSM and fetishistic taste was created in earlier periods, BDSM literature as it exists today cannot be found much earlier than World War II.
A central work in BDSM literature is undoubtedly the Story of O(1954) by Anne Desclos (under the pseudonym Pauline Réage) in addition to: 9 ½ weeks(1978) by Elizabeth McNeill,Dezemberkind(2003, 2004) by Leander Sukov, some works of the writer Anne Rice (Exit to EdenThe Claiming of Sleeping Beauty (1983), Beauty's Punishment (1984) and Beauty's Release (1985)),Jeanne de Berg (L'Image(1956) dedicated to Pauline Réage), and the novel Topping from Below(1999) by Laura Reese. More recently, the novels of Marthe BlauSubmission and Between Your Hands(2005). Works from the GOR series by John Norman, and naturally all the works of Pat CalifiaGloria Brame, the group Samois and many of the writer Georges Bataille (Histoire de l'oeil-Story of the Eye, "Madame Edwarda, 1937), as well as Bob Flanagan: Slave Sonnets (1986), Fuck Journal (1987), A Taste of Honey (1990). A common part of many of the poems of Pablo Neruda is a reflection on feelings and sensations arising from the relations of EPE or erotic exchange of power.

[edit]A new subgenre: BDSM romance

The exponential increase in the BDSM community in the last 10 years has led to the emergence of a literary subgenre that previously did not exist: BDSM romance. There have always been stories of bondage, sadomasochism, and so on.., observable since at least the 14th century, and earlier in mediums that poorly explored the area in this regard (see the Cantar de Mio Cid), but this as a genre emerged in the twenty-first century.
In 2005 there were many authors dedicated to write prolifically, at least half a dozen novels per year, and in some cases based on own experience as practitioners of BDSM, or in other cases entering from an outside genre, and established BDSM writers becoming more frequent in authoring works.[125]

[edit]Art

As in the case of literature a list of BDSM art should not include works of the early history depicting sadomasochism, flogging, fetishism, and so on., but should start when the integrative aspects of BDSM become visible. In this sense figures such as those from Venus de Kostienki, Russia (3000 BC) or engraved on the tomb and the sarcophagus of the Egyptian aristocrat Bastret (1376 BC) are not considered BDSM art(as depicting BDSM was not their primary purpose). For art which is undeniably BDSM art, it follows that the artist has spent most or part of their work dealing with BDSM, so an image of flogging by an artist who does many BDSM works is probably depicting BDSM, while the same image done by a historic maritime artist depicting life aboard a British vessel would probably not be considered BDSM art(although context, and the work itself would usually ultimately determine what the subject matter is discussing). Examples include:
  • In PhotographyEric Kroll and Irving Klaw (with Bettie Page, the first bondage model), and Japanese photographer Araki Nobuyoshi, whose works are exhibited in several major art museums, galleries and private collections, such as the Baroness Marion Lambert, the world's largest holder of contemporary photographic art. Also Robert Mapplethorpe who has dealt with BDSM themes in many of his works.
  • Comic book drawings: Guido Crepax with Histoire d'O (1975), Justine (1979) and Venere in Pelliccia (1984); inspired by the work of Pauline ReageSade and Leopold von Sacher-MasochJohn Willie and the Adventures of Sweet Gwendoline(1984) which was the basis for the film Gwendolyn.
  • In graphic design: Eric Stanton and his work on dominance and female bondage, as well as Hajime SorayamaRobert Bishop and Dolcetto.

[edit]See also

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